O U T S I D E L E F T   stay i n d e p e n d e n t

Raft

Meave Haughey says Anne Gill's Raft presents a paradox of escape and survival, isolation and loneliness

by Meave Haughey, for outsideleft.com
Anne Gill's Raft explores the fluid nature of trauma

Raft

Meave Haughey says Anne Gill's Raft presents a paradox of escape and survival, isolation and loneliness

by Meave Haughey, for outsideleft.com

Raft - by Anne Gill
Bad Betty Press

Poetry can get you by the throat. The preface to Raft by Anne Gill ambushes you. There is a confusion-- the shock of violence and dislocation so that when you turn past the preface to the title page, marked only ‘Raft’, you understand that word to encompass the paradox of escape and survival but also isolation, and loneliness.

The poems explore the fluid nature of trauma--how it floods from the past into the present--doing this through a series of narrative voices at times childlike, but most often told through the character/voice of ‘Penguin 2’. Penguin 2 links together the poems in the book, anchoring it as it strays into anxiety, trauma, recollection and the struggle to step back from the cliff edge.

What Gill’s writing does most poignantly, is to touch on the absurd and mismatched solutions which are sometimes proffered as life rafts to those in the midst of acute trauma in poems such as Green Trauma Bear and Penguin 2 is Told to Write a Gratitude Journal.

Penguin 2 Is Told to Write a Gratitude Journal is one of the few poems in the collection written in the first person and one of the most powerful in its acceleration through the narrator’s thoughts which quickly pass, with a kind of dark humour, through the jumble of the mundane

I bought a cheese sandwich with my good luck and it didn’t have
much cheese in it which is good because some people are lactose intolerant I got a plain very dry 
sandwich with my good luck and it meant I drank water and I should drink more water I am grateful for water

until they lay bare with horrific clarity the, until now, unspoken:

I am grateful that I can’t stop remembering the rape at the time
of the rape I was wearing old clothes I am grateful I was probably
going to throw them out anyway I am grateful that I shower more
and I am grateful for cleanliness and I am grateful he didn’t
kill me and I am grateful it only happened once and I am
grateful that it didn’t happen to my son I am grateful that it didn’t
happen to my son I am so grateful that it didn’t happen to my son

A skillful and moving first collection which will provoke you with the starkness of its vulnerability.

cover for raft by Anne GIll


Essential Info
Website for Bad Betty Press

see more stories from outsideleft's Fiction & Poetry archive »»

Meave Haughey

Meave Haughey is a writer and artist and can mostly be found living out an elaborate alternative life while doing the laundry. Oh and pubishing episodics at her blog Worth the Coming Home.

more stories you really could read...


thumb through the ancient archives:

search for something you might like...


sign up for the outsideleft weekly. a selection of new and archived stories every week. Or less.

View previous campaigns.

Peter, Bjorn and...
Peter, Bjorn and John, without John still charm at the Tripod in Dublin
Fast Food From The Moon
Not from the moon precisely but from high on Mulholland Drive where legendary los angeles art figure, John Kilduff set up his original fastfood paint van
The Captain of this Ship is M.I.A.
M.I.A. live at the Echo Plex in Echo Park
Laraaji: The Way Out is Still The Way In
Jason hears Bring on the Sun/Sun Gong and his life changes again
Bestie's 2018: Momus, Pantaloon
Momus helps you think about saving the world...
300 Words From London: Damien Hirst Goes To Church
More pills, not many thrills and a bit of religious belly aching. Damien Hirst. God. Again.
Some of our favorite things...